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Faceplate Style Notes Very much WIP; take these as suggestions until we get a bit 057198b8de MK VCO and Luthers MK VCO and Luthers VCO_MANUAL_v2.pdf | Bin 0 -> 107984 bytes Schematics/SynthMages.pretty/Switch.dcm | 351 .../Kassutronics_Slope_Build_Docs_2.0A-1.pdf | Bin 0 -> 580484 bytes .../Panels/Radio_shaek_standoff_padded.stl | Bin 0 -> 87811 bytes sr1_full.png | Bin 0 -> 12821 bytes .../COLOR SPRAY.png | Bin 0 -> 510084 bytes // PCB holder pcb_holder(h=10, l=top_row-rail_clearance*2-15-thickness, th=1.15, wall_thickness=1); // lower h-rib reinforcer Panels/luther_triangle_10hp_rib_space_fixes.stl Normal file Unescape REP: repique CAX: caixa MSD: mid surdo (sometimes MS1, MS2, etc, if multiple measures or has planned variations) BSD: back surdo For this tab pidgin, 'l' or 'L' means left hand, 'r' or 'R' means right hand, capital letters mean accents (play much louder). 'B' means Both hands; something repique does occasionally Mid surdos often vary the sticking by personal preference. Back surdo (L for low, H for high)

R/L
Accented note (right/left hand suggested) r/l: quieter note * : trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 1 is probably the most common samba reggae rhythm. It clave is shared with traditional samba (and.

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