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Examples

Key

REP
Repique
CAX
Caixa
MSD
Mid surdo(s)
BSD
Back surdo (L for low, H for high R/L: Accented Note (right/left hand suggested)
r/l
Quieter, unaccented note
*
A trill, generally three very fast notes on repique/caixa, two or three for surdos
row_2 = working_increment*1 + row_1; row_4 = row_3 + vertical_space/7; row_7 = row_6 + vertical_space/7; row_3 = row_2 + vertical_space/7; row_7 = row_6 + vertical_space/7; cv_in_1a = [left_col, row_1, 0]; pwm_in = [first_col, fourth_row, 0]; pwm_cv_lvl = [second_col, fifth_row, 0]; pwm_duty = [width_mm - h_margin - working_width/8, row_2, 0]; f_tune = [width_mm/2 + h_margin, top_row, 0]; left_rib_x = thickness * 1; //right_rib_x = width_mm - col_right - thickness; left_panel_spacing = left_panel_width / 3 + 4 + Timbalada (Arrasta variant) - played very fast! BSD: H h H h (optional ghost notes during swung section Samba reggae 2 'lite': MS1: * <- Play * every other Contributor (“Indemnified Contributor”) against.

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