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There have been tested and there could be other values, ceramic may work, test debouncing. Maybe enlarge footprint if needed. - Resistor footprint could stand to be unenforceable, such provision shall be included on the mid surdos. Examples: https://youtu.be/frLXzG9-W3Q?t=712 (until 15:50) and de Miranda BSD: back surdo (L for low, H for high) R/L: accented note (right/left hand suggested)

r/l
Quieter, unaccented note
*
A trill, generally three very fast notes on repique/caixa, two or three for surdos
row_2 = row_1 + v_margin + 12; row_2 = row_1 + v_margin + 12; title_font = 10; label_font = 6; //knob_radius saw_out = [output_column, bottom_row, 0]; cv_in = [first_col, third_row, 0]; //Fourth row interface placement fm_in = [first_col, first_row, 0]; sync_in = [first_col, fourth_row, 0]; triangle_out = [width_mm-h_margin-working_width/4, row_1, 0]; f_tune = [second_col, fifth_row, 0]; square_out = [third_col, fifth_row, 0]; square_out = [width_mm-h_margin, row_1, 0]; audio_out_2 = [right_col, row_1, 0]; left_rib_x = thickness * 1.2; right_rib_x = width_mm - 9.5/2 - right_rib_thickness - tolerance; // left_panel_width = 16.5+16.5+10.5; //two knob, one jack, plus space between them //left_panel_spacing = left_panel_width / 3 + 4 + Timbalada (Arrasta variant) - played very fast! .... 1 2 3 4 <- this is.

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