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82 lines REP: repique CAX: caixa MSD: mid surdo (sometimes MS1, MS2, etc, if multiple measures or has planned variations) BSD: back surdo (L for low, H for high R/L Accented note (right/left hand suggested)

r/l

Quieter, unaccented note

*

A trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 1 Samba Reggae 1 Samba Reggae 1: BSD: .. . . . . . . . L // Order of the Pelorinho

also Didá

Trio Eléctrico (11:52 - 15:50)

Video lessons

• Didá, on the mid surdos. Examples: https://youtu.be/frLXzG9-W3Q?t=712 (until 15:50) and de Miranda has two versions: https://www.youtube.com/watch?v=IPLT2B8EH0A and https://www.youtube.com/watch?v=J04yoOoGRNk the second mid-surdo part. He talks briefly about the lineage in the front to indicate direction? Pointer1 = 0; // [0:No, 1:Yes] TaperAngle=asin(KnobHeight / (sqrt(pow(KnobHeight, 2) cube([2, 2, KnobHeight+.001], center=true); if (style == "nut"){ // a.
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