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MCP4922 DAC (others may work). Probably can build our own based on the mid surdos. Examples: https://youtu.be/frLXzG9-W3Q?t=712 (until 15:50) and de Miranda Score (Or PDF. BSD: Back surdos (L for low, H for high R/L: accented note (right/left hand suggested) r/l: quieter note * : trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 1 is probably good // = length of the indenting cones. [mm] cone_indents_height = 5.1; // Top left: clock in, speed rotate([0, 0, 45] cube([2, 2, KnobHeight+.001], center=true); cube([RingWidth*.5, MarkingWidth, 2], center=true); cube([8, 3, KnobHeight], center=true); if (style == "nut"){ } module cherry_mx_button() { union(){ cube([14,14,thickness]); // u[nits] # precadsr.sch BOM Optional capacitor socket Docs/precadsr_bom.md | 3 | AudioJack2 | Audio Jack, 2 Poles (Mono / TS)"/> Dual Operational Amplifiers, DIP-8/SOIC-8/TO-99-8 | | C3 | 1 | 10R | Resistor | | S2 | 1 | 3_pin_Molex_connector | 3 | 1nF | Unpolarized capacitor | | 1 | TL074 | Quad Low-Noise JFET-Input Operational Amplifiers, DIP-8/SOIC-8/TO-99-8 | | Tayda.

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