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1130A6S 11300DR 1130A8G 1130081 1130A5R 1130AP5 1130AST D1130C3W D1130C1B D1130C3C D1130C2P Potentiometer, vertical, Vishay TS53YL, https://www.vishay.com/docs/51008/ts53.pdf Potentiometer vertical hole ACP CA14-VSMD Potentiometer, vertical, Piher PT-10-V05, http://www.piher-nacesa.com/pdf/12-PT10v03.pdf Potentiometer vertical ACP CA9-V10 Potentiometer, horizontal, Bourns 3006Y, https://www.bourns.com/docs/Product-Datasheets/3006.pdf Potentiometer horizontal Bourns 3314S Potentiometer, vertical, shaft hole, Bourns 3314R-1, http://www.bourns.com/docs/Product-Datasheets/3314.pdf Potentiometer, vertical, Alps RK09L Single 1140A5L 114001E 1140A2U 114001T Potentiometer, vertical, shaft hole, ACP CA6-VSMD, http://www.acptechnologies.com/wp-content/uploads/2017/06/01-ACP-CA6.pdf Potentiometer horizontal Vishay 148E-149E Single Potentiometer, vertical, Bourns PTV09A-1 Single Potentiometer, vertical, shaft hole, Piher PT-15-V02, http://www.piher-nacesa.com/pdf/14-PT15v03.pdf Potentiometer vertical hole Bourns 3314R-1 Potentiometer, vertical, shaft hole, allowing to create a serrating effect for better grip on the mid surdos. Https://www.youtube.com/watch?v=-2No01KfY4k https://youtu.be/Jeh8iTI6gMc?t=96 https://youtu.be/frLXzG9-W3Q?t=712 (until 15:50) and de Miranda breaks it down here: https://www.youtube.com/watch?v=mmd_7p62Z18 Samba Reggae 1

BSD

Back surdo (L for low, H for high) R/L: accented note (right/left hand suggested) r/l: quieter note * : trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 2 Probably created by Olodum, we've heard this played by multiple bands in Bahia, with several minor variations (see below) played by multiple bands in.

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