3
1
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Lines REP: repique CAX: caixa MSD: mid surdo (sometimes MS1, MS2, etc, if pattern spans measures or has planned variations) BSD: back surdo (L for low, H for high R/L Accented note (right/left hand suggested)

r/l
Quieter, unaccented note
*
A trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 1
BSD
Back surdo (L for low, H for high R/L: Accented Note (right/left hand suggested r/l: Quieter, unaccent note *R or *L: Trill this note Variations MSD: L* L* -> only second half of the Derivative Works; or, within a NOTICE text from the Source Code.

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