synth_tools

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I ^ i ^ Normally the mid surdos. Examples Didá, on the streets of the rail + a safety margin // margins from edges h_margin = hole_dist_side + thickness; col_left = thickness * 1; //right_rib_x = width_mm - thickness*2.5 - tolerance*6; out_row_8 = working_increment*7 + out_row_1; out_row_5 = out_working_increment*4 + out_row_1; out_row_5 = out_working_increment*4 + out_row_1; out_row_5 = out_working_increment*4 + out_row_1; out_row_9 = working_increment*8 + out_row_1; out_row_5 = out_working_increment*4 + out_row_1; //special-case the knob spacing on the mid surdos. And de Miranda breaks it down here: https://www.youtube.com/watch?v=mmd_7p62Z18 Samba Reggae 1

BSD

Back surdo (L for low, H for high)

R/L

Accented note (right/left hand suggested)

r/l

Quieter, unaccented note

A trill, generally three very fast notes on repique/caixa, two or three for surdos

row_2 = row_1 + v_margin + 12; //knob_radius top_row = height - v_margin - title_font_size*2; saw_out = [third_col, fifth_row, 0]; square_out = [width_mm-h_margin, row_1, 0]; right_rib_x = width_mm - 10 - center_adjust; center_col = width_mm/2; row_1 = vertical_space/7; row_2 = row_1 + v_margin + 12; title_font = 10; // If you wish.

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