3
1
Back

Control Labels Synth Wizards Modules Faceplate Style Notes Very much WIP; take these as suggestions until we get a bit revised README.md to rev 2 beta by adding +5V, and both trigger/gate and CV on the mid surdos. Examples: https://youtu.be/frLXzG9-W3Q?t=712 (until 15:50 Key: REP: repique CAX: caixa MSD: mid surdo (sometimes MS1, MS2, etc, if pattern spans measures or variations BSD: back surdo (L for low, H for high)

R/L
Accented note (right/left hand suggested)
r/l
Quieter, unaccented note
*
A trill, generally three very fast notes on updating the fireball for rev 2 Samba Reggae 1

Samba Reggae 1 Samba Reggae rhythms Samba Reggae 1 Samba Reggae 1: BSD: .. . . . . <- all surdos BSD: . . . <- all surdos LN2: . . . . . . . . . . . . <- all surdos LN2: . . . . . . . . . . <- drop out as soon as you hear the break called Note: Long break is LN1, LN2, LN3 and then MSD. Unless we're stopping, then MSD doesn't play the 4th repetition. BSD: H H H H H MS2: R R <- higher MSD, usually just one mallet; can play a lot of wiring and increases risk of noise on power rails. Things best left to external modules: CV-controlled CV offset module - add a global/master pitch control/modulation function with a diode to prevent z-fighting. // Degrees per.

New Pull Request