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Https://www.neutrik.com/en/product/nc5mbv-b B Series, 3 pole female XLR receptacle, grounding: separate ground contact to mating connector shell and front panel, horizontal PCB mount, https://www.neutrik.com/en/product/ncj9fi-v-0 Combo I series, 3 pole female XLR receptacle, grounding: without ground/shell contact, lateral left PCB mount, retention spring instead of latch, https://www.neutrik.com/en/product/nc4fav-0 A Series, 5 pole female XLR receptacle, grounding: separate ground contact to mating connector shell to pin1 and front panel, vertical PCB mount, https://www.neutrik.com/en/product/nl4md-v-2 speakON Chassis Connectors, 4 pole male XLR receptacle, grounding: mating connector shell and front panel, vertical PCB mount, black chrome shell, https://www.neutrik.com/en/product/nc3mbh-b B Series, 3 pole XLR female receptacle with 6.35mm (1/4in) stereo jack, vertical PCB mount, https://www.neutrik.com/en/product/nc3faav1 AA Series, 3 pole female XLR receptacle, switching contacts, grounding: separate ground contact to mating connector shell and front panel, horizontal PCB mount, https://www.neutrik.com/en/product/nc3fav2 A Series, 3 pole female XLR receptacle, grounding: separate ground contact to mating connector shell and front panel, vertical PCB mount, https://www.neutrik.com/en/product/nc3faah1 AA Series, 3 pole male XLR receptacle, grounding: ground contact to mating connector shell to pin1 and front panel, horizontal PCB mount, asymmetric push, https://www.neutrik.com/en/product/nc3fav1-da A Series, 3 pole male XLR receptacle, grounding: separate ground contact to mating connector shell and front panel. Tightening it down here: https://www.youtube.com/watch?v=mmd_7p62Z18 Samba Reggae 1 Samba Reggae 2 and 3 https://www.youtube.com/watch?v=xSXH0wFprbY is similar to SR2 "lite" and was really popular a couple years ago https://youtu.be/v9A9n-kMjz0?t=291 Ile Aye de Miranda breaks it down here: https://www.youtube.com/watch?v=mmd_7p62Z18 Samba Reggae 1: BSD: .. . . . . . . <- all surdos LN3: . . . . . . . . . . . . . . . . <- all.

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