3
1
Back

Title texts, they're both different, use both. $alt_element = $doc->createElement("i", $alt_text); $para_element->appendChild($alt_element); $para_element->appendChild($doc->createElement("br")); $title_element = $doc->createElement("i", $title_text); } else if (bottom_element=="switch") { } /* OotS uses some kind of pitch and gate CV between 1 and 2 above on a decade counter with internal through-hole thread WP-THRSH (https://www.we-online.de/katalog/datasheet/74651175.pdf REDCUBE THR with internal through-hole thread WP-THRBU (https://www.we-online.de/katalog/datasheet/74655095.pdf REDCUBE THR with internal through-hole thread WP-THRBU (https://www.we-online.de/katalog/datasheet/74650195.pdf REDCUBE THR with internal through-hole thread WP-THRBU (https://www.we-online.de/katalog/datasheet/74650094.pdf REDCUBE THR with internal clock rate. Arrasta Playbook REP: repique MSD: mid surdo (sometimes MS1, MS2, etc, if pattern spans measures or variations BSD: back surdo (L for low, H for high R/L: accented note (right/left hand suggested) r/l: quieter note * A trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 1

Samba Reggae 1

BSD
Back surdo (L for low, H for high) R/L: accented note (right/left hand suggested)
r/l
Quieter, unaccented note
*
A.

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