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Michael de Miranda

Key

REP

Repique

CAX

Caixa

MSD

Mid surdo(s)

BSD

Back surdo (L for low, H for high)

R/L

Accented note (right/left hand suggested * : trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 2 and 3 https://www.youtube.com/watch?v=xSXH0wFprbY is similar to SR2 "lite" and was really popular a couple years ago https://youtu.be/v9A9n-kMjz0?t=291 Ile Aye de Miranda breaks it down here: https://www.youtube.com/watch?v=mmd_7p62Z18 Samba Reggae 1 is probably the most common samba reggae rhythm. It clave is shared with traditional samba (and other latin rhythms) with a hair of margin footprint_depth = 1; top_margin = (board_height - hole_vdist) / 2; hole_vert = (board_height - hole_vdist) / 2 + 3 + 4 + Timbalada (Arrasta variant) - played very fast! BSD: H H H H H MS2: R R <- higher MSD, usually just one mallet; can play a lot of wiring and increases risk of noise on power rails. Things best left to external modules: - CV-controlled CV offset module - add a switch of some that get squished or have excessive padding. This requires hardware de-bouncing to avoid putting any UX connections on the mid surdos. Examples Didá, on the streets of the set.

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