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Surdos. Examples: https://youtu.be/frLXzG9-W3Q?t=712 (until 15:50 Key: REP: repique CAX: caixa MSD: mid surdo (sometimes MS1, MS2, etc, if pattern spans measures or has planned variations) BSD: back surdo (L for low, H for high R/L: accented note (right/left hand suggested)

r/l
Quieter, unaccented note
*
A trill, generally three very fast notes on repique/caixa, two or three for surdos
row_2 = working_increment*1 + row_1; row_4 = row_3 + vertical_space/7; cv_in_1a = [left_col, row_5, 0]; cv_in_2a = [left_col, row_7, 0]; cv_in_1b = [right_col, row_5, 0]; cv_in_2a = [left_col, row_7, 0]; cv_in_1b = [right_col, row_1, 0]; triangle_out = [width_mm-h_margin-working_width/4, row_1, 0]; triangle_out = [third_col, third_row, 0]; //Fourth row interface placement sync_in = [first_col, first_row, 0]; c_tune = [width_mm/2 - h_margin, top_row.

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