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Main arrasta/arrasta_playbook_v0.9.txt 106 lines REP: repique CAX: caixa MSD: mid surdo (sometimes MS1, MS2, etc, if multiple measures or variations) BSD: back surdo (L for low, H for high R/L: accented note (right/left hand suggested r/l Quieter, unaccented note * A trill, generally three very fast notes on repique/caixa, two or three for surdos Samba Reggae 2 Probably created by Olodum, we've heard this played by multiple bands in Bahia, with several minor variations (see below) played by many individuals. For exact contribution history, see the documentation. Main MK_VCO/.gitignore 26 lines ## Inverted output Whatever appears on the mid surdos, faster than we play it Paul Simon (just rlrl all day, accenting every backbeat. It's basically a rock beat.): .... 1 + 2 * nothing; z_position = height - v_margin - title_font_size*2; saw_out = [output_column, bottom_row, 0]; pwm_pot = [input_column + h_margin/2, bottom_row, 0]; fm_in = [h_margin+working_width/8, row_3, 0]; manual_2 = [left_col, row_6, 0]; audio_in_1 = [left_col, row_7, 0]; manual_1 = [left_col, row_2, 0]; pwm_in = [width_mm - h_margin - working_width/8, row_3, 0]; pwm_duty = [input_column, bottom_row, 0]; fm_in = [h_margin+working_width/8, row_3, 0]; manual_2 = [left_col, row_5, 0]; cv_in_2a = [left_col, row_6, 0]; audio_in_1 = [left_col, row_7, 0]; cv_in_1b = [right_col, row_5, 0]; audio_out_1 = [right_col, row_5, 0]; audio_out_1 = [right_col, row_1, 0]; audio_out_2 = [right_col, row_2, 0.

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