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128 .../precadsr_aux_Gerbers/precadsr-B_Mask.gbr | 266 .../precadsr_aux_Gerbers/precadsr-B_Paste.gbr | 4 .../PCB/precadsr_Gerbers/precadsr-B_Paste.gbr | 15 .../precadsr_aux_Gerbers/precadsr-B_SilkS.gbr | 1093 .../precadsr-Edge_Cuts.gbr | 16 .../precadsr_aux_Gerbers/precadsr-F_Cu.gbr | 580 .../precadsr_aux_Gerbers/precadsr-F_Mask.gbr | 266 .../precadsr_aux_Gerbers/precadsr-F_Paste.gbr | 4 | 100nF | Unpolarized capacitor | | | R4, R6, R7, R30, R31 | 5 | 2N3904 | 0.2A Ic, 40V Vce, Small Signal NPN Transistor, TO-92 | | | | | | Tayda | A-159 | | Tayda | A-159 | | | U3 | 1 | B10k | Potentiometer | | | | | C2, C5, C6, C8, C9, C11, C12. C10, C14 too small for film; is film needed? - Fix R25/R1 connection - One potentiometer for internal clock rate. Arrasta Playbook REP: repique CAX: caixa MSD: mid surdo BSD: back surdo (L for low, H for high R/L Accented note (right/left hand suggested)

r/l
Quieter, unaccented note
*
A trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 1 is probably the most common samba reggae rhythm; it's a classic samba clave with rock/reggae rhythms on the bottom //connect that to the ending of de minimis and.

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