synth_tools

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Of detail in the mid surdos. Examples: https://youtu.be/frLXzG9-W3Q?t=712 (until 15:50) and de Miranda Score (Or PDF. BSD: Back surdos (L for low, H for high) R/L: accented note (right/left hand suggested)

r/l

Quieter, unaccented note

A trill, generally three very fast notes on repique/caixa, two or three for surdos Common break specific to Samba Reggae 1 Samba Reggae 1

Samba Reggae 1

Samba Reggae 1 Samba Reggae 1

BSD

Back surdo (L for low, H for high)

R/L

Accented note (right/left hand suggested)

r/l

Quieter, unaccented note

A trill, generally three very fast notes on repique/caixa, two or three for surdos

row_2 = row_1 + vertical_space/7; cv_in_1a = [left_col, row_7, 0]; cv_in_1b = [right_col, row_6, 0]; audio_in_1 = [left_col, row_5, 0]; cv_in_2a = [left_col, row_1, 0]; audio_out_2 = [right_col, row_7, 0]; cv_in_1b = [right_col, row_3, 0]; cv_in_2b = [right_col, row_2, 0]; fm_in = [h_margin+working_width/8, row_4, 0]; pwm_cv_lvl = [width_mm - h_margin - working_width/8, row_2, 0]; fm_lvl = [second_col, first_row, 0]; //Second row interface placement f_tune .

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